to create, grow together
Sunday, 17 September 2006
30, 2006, Ramallah teen student, Sa'ad
Amira ( Gladiator2005@hotmail.com
) flew from
Sa'ad might have returned obediently home to begin Fall classes in Ramallah.
Instead, building relationships among Jews and Palestinians meant more to him.
He was willing to work double-hard to make up his schoolwork when he got home late to
After all , his father, Ismail ( firstname.lastname@example.org ) was making his own sacrifice to leave his kitchen design business in Ramallah.
He elected to join Sa'ad at the 4th Palestinian-Jewish FAMILY PEACEMAKERS CAMP in the
You can see photos of that most-attended Oseh Shalom ~ Sanea al- Salam gathering, to illustrate what life can and will look like.
Google "Family Peacemakers" or go to http://traubman.igc.org/camp2006.htm .
Sa'ad Amira had just finished PEACE IT TOGETHER, the inspiring summer program in
August 4 to 21, 2006, 30 Israeli, Palestinian and Canadian youth gathered in
They first met and greeted each other in
See the photos at http://www.creativepeacenetwork.ca/camp/gallery06.htm .
The youth then gathered at the Gulf Island Film and
The Arabs and Jews worked in small groups to create original films about their lives, hopes and their fears.
The teen women and men learned about film making at this unique residential media training center nestled in the rainforest of
They heard each others' stories, learned new communications skills, and broke down the barriers that prevent sustained peace.
They took home tangible products that they are already sharing with the rest of the world.
Sunday evening, August 20th -- at the end of the two-week session -- was the screening of the seven short films about the
They called their evening Peace it Together 2006: Reel Perspectives by Palestinian, Israeli and Canadian Youth.
The youth were awe-struck, as 650 Canadian citizens packed the auditorium for the sold-out world premier.
There were long standing ovations.
See all seven films in streaming video at:
Nine Canadian newspapers provided unprecedented news coverage like:
Read all the articles at http://www.creativepeacenetwork.ca/media/media.htm
The final news was published by The New York Times (below).
The co-directors of PEACE IT TOGETHER are Palestinian Adri Hamael ( AdriHamael@shaw.ca ) and Jewish Reena Lazar ( RLazar@uniserve.com ).
Reena and Adri are selfless and dedicated to the principles, people and promise of the
This Jew and Palestinian -- like the youth film makers -- model undeniably that together, we're better.
Published in The New York Times -- 03 September 2006
On the Web at http://www.nytimes.com/2006/09/03/movies/03hays.html
30 Teenagers, 7 Short Movies, 1 Dream of Peace
By MATTHEW HAYS
GALIANO ISLAND, British Columbia
THE organizers of this summers Peace It Together Camp here never expected it would be easy to bring together 10 Israeli, 10 Palestinian and 10 Canadian teenagers to make several short films in a spirit of dialogue and collaboration. But they also never expected to do so in a time of war.
The conflict erupted in
violence escalates, people become more polarized and skeptical about programs like this one. But I had faith that we would make it happen. Canceling really wasnt an option.
Gathering young Israelis and Palestinians in a safe environment as a means of breaking down barriers is not a new idea. Several charitable organizations undertake such efforts annually in North America, and one such meeting was captured in the Oscar-nominated 2001 feature-length documentary Promises. But the Creative Peace Network, which had organized a previous peace camp in
of breaking down barriers and changing lives, Mr. Hamael said.
The students, all between 15 and 17, were chosen by regional coordinators. Thanks to private donations, their travel and living expenses were subsidized. A small tuition of $400 was required of each participant. On arrival the students were broken down into seven groups to work in either animated, documentary or dramatic filmmaking. Each group was assigned an adult mentor to help with brainstorming sessions,
screenwriting and technical matters. Each morning the teenagers met to exchange views about their lives and the
Alaa Abu Dawoud, a 17-year-old Palestinian from the northern Israeli town of
For Ms. Dawoud and the others, the filmmaking process helped to bring them together. I thought it would be so complicated, she said. But because were doing something I really love, and because were showing the conflict in a different way through our eyes, the act of making the film has been really fascinating.
Not surprisingly, exchanges could occasionally prove acrimonious. Some people might see this as a feelgood project, but it can be very intense, Mr. Hamael said. The youth who are here are a product of violence. They are born either under occupation or under the threat of violence. They come with emotional baggage.
While the topics of the seven films were varied, they shared themes of promoting peace and conflct resolution. In the five-minute documentary Sweet Like Chocolate, several teenagers describe what they think peace would feel, sound and taste like. In the seven-minute drama No Place for Dreamers, a Palestinian man and an Israeli woman find it impossible to continue their budding romance because of a
roadblock that a checkpoint places between them. In the films conclusion the despondent woman looks through a fence as Israeli soldiers tell the Palestinian man that he cannot pass through to the other side. Part of the inspiration for On the Line, a combination of documentary and drama, came after one of the Israeli youths, Nir Ayalon, revealed to the other teenagers that he would serve in the Israeli military next
year. There were some faces made when I told them, Mr. Ayalon, 17, acknowledged. But I will not be serving in a combat capacity, so theres no way Im going to be shooting at anyone.
The film depicts Mr. Ayalons friendship with one of the Palestinian teenagers at the camp, but concludes ambiguously with a fantasy sequence in which the two meet up again, in 2008, when Mr. Ayalon has become an Israeli soldier manning a checkpoint.
Alternately sweet and bitter, the films by the teenagers at times seem naﶥ, until one considers that the Israel and Palestinian youths face very real threats of violence, and that their scenarios are all rooted in that reality.
The camps organizers have said they hoped to screen the anthology of seven films on the film festival circuit. I feel we have made an impact, Mr. Hamael said. Even if that is a limited impact, it is something nonetheless. Governments spend billions of dollars every year on the possibility of war. We are trying to spend something on the possibility of peace.
David Ozier, a