Jewish, Arab musicians challenge the system
Monday, 07 April
2008
In Spring 1997, eleven years ago, "On Passover
and Peace" - http://traubman.igc.org/passover.htm
- was published in several major U.S. newspapers.
The whole op-ed and closing call to all humankind
are equally relevant today:
"This Passover, let us determine to build bridges of
understanding across personal and cultural chasms, turning strangers into
neighbors, enemies into partners, finally freeing ourselves from the slavery
and great costs of alienation. What is ancient and profound in Judaism is,
after all, what really works in everyday life."
This 2008
Spring season of new birth, so many people are crossing lines, cracking
protective shells, inventing ways to move beyond alienation.
Citizens - mostly youth and young adults - are
planting seeds for new relationships and creativity to flower.
It's now obsolete to wait for "someone" or
slow-moving governments alone to change.
Women and men everywhere are taking back their
lives and destiny, seeing the absurdity of waiting for "someone"
or slow-moving governments alone to change.
This is truly a new season on Earth.
See the signs of the new times.
== 1 ==
HOLY LAND MOSAIC is a new book that chronicles
the less-reported side of the Middle East scene: the ongoing projects of
conciliation and coexistence between Israelis and Palestinians, and between
Arabs and Jews in Israel.
Remarkable Muslims, Jews and Christians are depicted
on a personal journey through the different movements, projects, and
nongovernmental organizations that promote communication and cooperation
between two fine but unnecessarily-distanced
peoples.
The author's narrative shows that the enmity is not
endemic.
The current atmosphere can be different, sooner than
many would imagine.
HOLY LAND MOSAIC: Stories of Cooperation and
Coexistence Between Israelis and Palestinians
http://www.amazon.com/Holy-Land-Mosaic-Cooperation-Palestinians/dp/0742540138
Gavron
Daniel, Rowman & Littlefield Publishers, Inc.,
December 2007, 205pp
== 2 ==
Preparing
for Summer 2008 are many of the NORTH AMERICAN CAMP
PROGRAMS - http://traubman.igc.org/camps.htm
- for the Middle East public peace process.
And in its second year in the U.K. is PeaceInsight - http://peaceinsight.org
-the sparkling new program for teenagers from Palestine and Israel.
PeaceInsight was recently
featured on Radio Salaam Shalom - http://salaamshalom.org.uk/ -
another U.K. contribution to the growing public peace process.
== 3 ==
Today is
the last day of the 2008, newest, 5th Sulhita - http://www.sulha.com/ShowItem.asp?ItemId=Next_Sulhita_/
- in the Holy Land.
As we write, 140 Jewish
and Arab youth, including 40 West Bank Palestinians, are saying
goodbye after living together five days in the Arava
desert, April 3-7, 2008.
On April 1st, a Sulhita
organizer wrote: "So many beautiful people are coming.
"We have a great program and beautiful
facilitators.
"Two cooks - Jewish food and Arab food.
"Spring desert wind.
"Hope all together will be good soup."
== 4 ==
"System Ali are living examples of how Jews and Arabs
can get along," says the photo besides the inspiring, how-to
article below.
System Ali began with SADAKA REUT - http://reutsadaka.org
- an organization founded by Arab and Jewish youth sharing a vision of a
better future for both communities.
See PHOTOS - http://olahadasha.typepad.com/ola_hadasha/2007/09/post.html
- from September, 2007, on the blog of Leila Segal ( LeilaSegal@hotmail.com ), a freelance writer and
photographer, interested in how artists use creativity to unify the fragmented
self, and by extension in creative approaches to reconciliation between self
and "other."
Leila wrote: "Ali means big, or
strong, and the group's name can be understood as an order to.
. .make it stronger, turn the system up."
Together, we can.
Spring forward.
Lift life up.
Being stronger, participating, more
human.
Our selves, making the music of
"together."
One.
-
L&L
Re-printed from The Jerusalem Post in Israel21c - Sunday, 06 April 2008
http://www.israel21c.org/bin/en.jsp?enDispWho=Articles%5El2056&enPage=BlankPage&enDisplay=view&enDispWhat=object&enVersion=0&enZone=Culture
Jewish Arab musicians
challenge the system
by Aimee Neistat
At an underground bar in Tel Aviv, a crowd waits in
excitement for the headline band to take the stage.
One audience member wears a white hijab,
through which her olive-skinned face peeks. Next to her, a tall, slim teenager
with pitch-black skin and tightly curled hair grooves to the "warm
up" music. Only an arms-length away, a pale-skinned Ashkenazi gazes up at
the stage, waiting in anticipation.
These young adults have come from very different
places, but they are all here to share a common future. It isn't just any band
they've come to enjoy - it's System Ali, a band of Arabs, native-born Israeli
Jews, and olim (new immigrants) from Russia whose
hip-hop music is their means of telling the nations of the world how to coexist.
An ambitious goal, they do admit. But they are living
examples of how Jews and Arabs can get along.
The band is comprised of 10 members, most of whom are
vocalists. Neta Weiner, an Ashkenazi-Jewish kibbutznik; Amne Jarush, an 18-year-old Arab woman; 20-year-old Muhammad Aguani from Jaffa and Enver Septibragimov, a 19-year-old who immigrated to Israel from
Uzbekistan are four of the lead lyricists. They sing about their hometown,
Jaffa, and of the struggles they face as a result of the difficult political
situation that engulfs them.
System Ali's members met through the Jaffa Youth
Center, an initiative of Sadaka Reut
- an organization that aims to bring together young Jews and Arabs who share a
vision of a better future for their respective communities. At the center,
youth engage in activities such as creative writing, theater, martial arts and
music.
System Ali was officially formed when activist
communities were campaigning against a Jaffa housing demolition in May 2007.
According to Weiner, the band's goal was to use its music as a platform for
getting their voices heard in the community.
On stage, the vocalists work together like a gang of
break-dancers that met up in the street: one jumps into the circle and performs
a complex combination of movements. Then another joins him, adding his own
steps. Eventually, everyone is dancing at once - with each other and for each
other. The System Ali vocalists dance with words - each in his or her own language. Aguani and Jarush speak in Arabic, Weiner in Hebrew and Septibragimov in Russian.
"We shouldn't all have to speak in Hebrew just
because that's the only language everyone understands - especially if it comes
at the cost of expressing ourselves from the heart," says guitarist
Yonatan Kunda. "It's the opposite - we speak our
own languages, and people here listen enough to understand."
Kunda spoke of how important
it is for Jews and Arabs to listen to each other. Not to debate or challenge
each other's perspectives, nor compromise who they are,
their nationalities or what they believe in. But simply to express themselves and be heard, he said.
System Ali's song lyrics may express opinions that
some don't want to hear, violinist Liba Neeman adds, but audiences are forced to listen to these
opinions because the young musicians have the guts to express them.
In the song Forget, Aguani
declares that the more people try to make him forget who he is, the louder he
will shout out.
"I am an Arab from the Semite countries,
I'm an Arab from Jaffa. My mother is an Arab from Jaffa. And if you say I
belong to the past, I'm the past, I'm the present and I'm the future."
In another song, Deserted House, Jarush
expresses her discontent with the violence in her community and calls out to
young Arab women to stay in school and choose their own life paths.
Neeman noted that not all of
the band members speak all three languages - Arabic, Hebrew and Russian - and
they therefore don't always understand the meanings of each other's lyrics. But
the goal is to give each member a platform to say what he or she feels and to
bring each one's messages to their audiences.
Another of the band's goals is to break down barriers
between the various ethnic communities in Jaffa and in Israel at large.
"Jews and Arabs collide every day on the streets of Jaffa," says Kunda, but the meetings generally do not extend beyond
simple interactions. "Everyone keeps to themselves in their own
'quarters," he says.
System Ali, however, tries to bring Jews and Arabs
together in a positive and constructive light in order to create something from
the bottom up. "[We want to] break [down] these borders in order to
construct something new that doesn't compromise the old," says Kunda.
Each of the band members has a very different history.
Some come from socio-economically disadvantaged backgrounds and never learned
to play a musical instrument until they began participating in activities at
the youth center. Others grew up in more affluent environments and had years of
musical experience before they formed the band.
Eran Fink, System Ali's bass
player, grew up in Rosh Ha'ayin and attended the
Thelma Yellin High School of the Arts, where he
focused on jazz music. Fink currently studies at the Rimon
School of Jazz and Contemporary Music in Ramat Hasharon.
He decided to volunteer at the Jaffa Youth Center, teaching drum lessons
"to kids who can't afford lessons for themselves," he says.
"When they told me [that the band was forming] I immediately said 'I'm in'
and I wanted to play."
Fink says he always had a desire to help relieve
tensions between Jews and Arabs in Israel and he sees System Ali as a way to
achieve that goal. "It's the beginning of the end of the problem when we
create music together. [When we] try to understand each other and the problems
each side has," he said.
By sharing their music with audiences, Fink says, they
encourage people to believe that coexistence is possible. Even if four people
see a three-minute clip on the Internet of System Ali playing together, and
those four people believe that these conflicting communities can coexist, then
maybe everyone can believe it, he says.
Kunda draws very clear
boundaries to his conception of coexistence. "This band is not about
molding or combining everyone into one thing... It's about keeping those
[cultural] differences and embracing them for their individuality and
uniqueness," he says.
"When I'm with the band, I feel like I'm with my
family," says Aguani, "I respect them and
I'm proud of them. I love them very much."
The group's next gig is April 8, combined with jazz
musician Fred Johnson, at Sub Kutzmilega in
Florentine in Tel Aviv. On May 22, the group will perform at the Arab-Jewish theater in Jaffa.