FILM and
VIDEO to end war and
build
community. . .with audience participation
Monday, 26 March 2012
"No art
passes our conscience in the way film does, and
goes directly to
our feelings, deep down into the dark rooms of our souls."
~ Ingmar Bergman (1918-2007)
Film director, writer, and producer - Sweden
"I believe in
the transformative power of cinema.
It is only through
this shared dream-experience that
we can. . . find
some spiritual connection in the deeper reality of our mutual desire."
~ Daniel Clowes
(1961 - )
Screenwriter - United States
"My film aims
at contributing to the urgent and indispensable
discussion under
way. . .to prove that another world is possible."
~ Fernando Solanas
(1936 - )
Film director - Argentina
Film and Video can do so much good to help people connect, communicate,
and care for one another and Earth.
Cinema can help create community and improve
relationships.
It can unify youth and adults of diverse nations,
cultures, tribes, races, languages, and faith traditions.
Yet screenings are often old-fashioned and
limit cinema's potential.
Until now, viewers have sat in rows seeing the screen
-- yes -- and mostly the backs of others' heads, yet few faces.
No one knows who else is in the room.
Post-film communication is often limited to
questioning the director or "expert" mostly about technicalities of
film making.
Lost is the collective potential to uncover personal
meaning and tap human experiences for the discovery of new social intelligence
in the room.
The great potential of the moment to create community
vaporizes as the audience exits.
Today's need is to learn how to maximize cinema
and assimilate human experience -- uncover what works for the good of our human
family and planet..
Below are a few time-tested ways to show film
while discovering shared meaning and collective learning.
These kinds of gatherings can help us maximize film,
assimilate vast life experience in a room, and awaken the unprecedented
creativity and wisdom needed to build a future that benefits all.
New Principles of film screening, the Physical
Setup, and Facilitation ideas will include event Examples for
public screening of:
1. Many Short Films,
and
2. One Feature Film
We hope this is somehow useful.
-
L&L
Film and Video Screening
PRINCIPLES
1. The cinema event is about (A) the film and (B) the audience participants,
not about speakers, visiting experts, or even the film maker.
2. The film experience is about (A) personal meaning
and (B) awakened creativity toward building sustainable families,
neighborhoods, schools, institutions, nations, and planet.
PHYSICAL SETUP
1. Sitting in semi-circle enables seeing faces of others.
2. Movable chairs allows allow shifting into small
circles.
3. Wireless microphones best gives voice to audience
participants, and helps everyone to hear and be heard.
FACILITATION
1. The facilitator need not be an expert, but is simply to make
purposeful viewing and learning "facile" -- easy, agreeable, and
effective among the participants.
2. Encourage participants to share time,
listen-to-learn, and contribute equally.
3. Before the film, have a generous number of
audience participants say, in one breath, (A) their names, (B) where
they live, and (C) why they chose to attend this particular film.
4. Present two questions for each viewer to
consider during the film, then to respond to during post-film 10-minute circles
of 4.
A. What in the film
touched you, had meaning for you?
B. What new possibility
or initiative was awakened in you?
5. For collective assimilation, pass wireless microphones throughout the
room to learn from many people's experiences.
Helpful Principles of Group Facilitation for
sustained relationship-building can be downloaded from http://icci.org.il/downloads/STE-Principles_Booklet.pdf
They were developed cooperatively among the:
Corrymeela Community (Northern Ireland)
- http://www.irishpeacecentres.org/
St Ethelburgas
Centre for Reconciliation and Peace (England) - http://stethelburgas.org/
Interreligious Coordinating
Council in Israel - http://www.icci.org.il/
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SCREENING EXAMPLE #1
Twelve Short Films
with Audience Engagement
A 2-1/2 hour evening (California)
Full Program with Evening Flow and
Links to videos -- http://traubman.igc.org/eveningprogram2010.pdf
SCREENING EXAMPLE #2
One Feature Film
with Audience Engagement
A 2-1/2 hour evening (New York)
Flyer -- http://traubman.igc.org/harlemnight.pdf
Evening Flow -- http://traubman.igc.org/harlemnightflow.pdf
SCREENING EXAMPLE #3
One Feature Film
with Audience Engagement
A 2- hour evening (Washington)
Flyer -- http://traubman.igc.org/vidnigeriawashington.pdf
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These and hundreds of other success stories are preserved at http://traubman.igc.org/messages.htm